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THE PICTORIAL LANGUAGE OF HIERONYMUS BOSCH |
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Illustrations 34. The Cross and bandage of dedication in lace made in the 19th century
Fig. 34. Lace 19th century, Cross and bandage of dedication, Rotterdam, Museum Boymans-van Beuningen. 35. Man and the Signs of the Zodiac
Fig. 35. Man and the Signs of the Zodiac. 36. The horn-signal of spirituality
Fig. 36 The horn signal of spirituality. Two men, are connected through spirituality and the word-power of the larynx. From "La queste du Saint Graal", trans. Albert Pauphilet; L'Album de Villard Honnecourt. 37. Title page, The Rites of Freemasons
Fig. 37. Title page, The Rites of Freemasons. 38. Scottish Rite, a stage of initiation in Freemasonry
Fig. 38. Scottish Rite, a stage of initiation in Freemasonry. 39. HIERONYMUS BOSCH: Detail, The Last Judgement
Fig. 39· HIERONYMUS BOSCH: Detail from the Altarpiece, The Last Judgment. Vienna, Gemaldegalerie der Akademie der Bildemijen Kunste. 40. HIERONYMUS BOSCH: Detail from the central panel, The Garden of Heavenly Delights
Fig. 40. HIERONYMUS BOSCH: Detail from the central panel of The Garden of Heavenly Delights. Madrid, Prado Museum. 41. HIERONYMUS BOSCH: Detail, The Prodigal Son, the knot in the tree of life
Fig. 41. HIERONYMUS BOSCH: Detail from The Prodigal Son, the tree of life showing a knot in the trunk. 42. HIERONYMUS BOSCH: Sketch, showing a spindle
Fig. 42. HIERONYMUS BOSCH. Sketch. Showing a spindle. Paris, Musee du Louvre.
Fig. 43. HIERONYMUS BOSCH: Sketch. Rotterdam, Museum Boymans-van Beuningen. 44. ALBRECHT DURER, 1471-1528: Lot and his Daughters
Fig. 44. ALBRECHT DURER, 1471-1528: Lot and his daughters. Washington D.C. National Gallery of Arts, Samuel Kress Collection.
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