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THE PICTORIAL LANGUAGE OF HIERONYMUS BOSCH |
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Illustrations Plates
HIERONYMUS BOSCH:
Plate B. HIERONYMUS BOSCH: Triptych, the three inner panels, The Temptations of St. Anthony. Oil on panel, wings 51-5/8" x 20-7/8" each, central panel 51-5/8" x 46-7/8". Courtesy of the Museu Nacional de Arte Antiga, Lisbon. C. Detail from the left inner wing, The Temptations of St. Anthony
Plate C. HIERONYMUS BOSCH: Detail from the left inner wing, The Temptations of St. Anthony, lower group. See sections 4 and 5 of the relevant text. D. Detail from the left inner wing, The Temptations of St. Anthony
Plate D. HIERONYMUS BOSCH: Detail from the left inner wing, The Temptations of St. Anthony, middle group. See section 6. E. Detail from the right inner wing, The Temptations of St. Anthony
Plate E. HIERONYMUS BOSCH: Detail from the right inner wing. The Temptations of St. Anthony, middle group. See sections 9-12, 15, 16, 18 and 20. F. Detail from the right inner wing, The Temptations of St. Anthony
Plate F. HIERONYMUS BOSCH: Detail from the right inner wing, The Temptations of St. Anthony, the lower group. See sections 13 and 17. G. Detail from the central panel, The Temptations of St. Anthony
Plate G. HIERONYMUS BOSCH: Detail from the central panel, The Temptations of St. Anthony. See sections 23 and 28. H. Detail from the central panel, The Temptations of St. Anthony
Plate H. Detail from the central panel, The Temptations of St. Anthony. See sections 24, 25, 26 and 27. I. Detail from the central panel, The Temptations of St. Anthony
Plate I. Detail from the central panel, The Temptations of St. Anthony. See sections 27, 28, 29, 30 and 31. J. Detail from the central panel, The Temptations of St. Anthony
Plate J. Detail from the central panel, The Temptations of St. Anthony. See sections 32 and 33. K. Detail from the central panel, The Temptations of St. Anthony
Plate K. Detail from the central panel, The Temptations of St. Anthony. See section 31. L. Detail from the central panel, The Temptations of St. Anthony
Plate L. Detail from the central panel, The Temptations of St. Anthony. See sections 34 and 35.
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