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A PROPOSITO DE BUNUEL (REGARDING BUNUEL) -- ILLUSTRATED SCREENPLAY & SCREENCAP GALLERY

by consejeria del Gobierno de Aragon, Con la ayuda del Ministerio de Cultura ICAA

"Bunuel wanted to rebel against the dogmatic structures of the Church that said, 'There is no salvation or grace outside the Church.'  He wanted a kind of Protestant surrealism in which grace was directly attainable like in 'Nazarin' or 'Viridiana.'" -- Carlos Fuentes

"All of the Christian lives of the saints is completely surreal. All miracles are surreal. You lose a leg, and it grows back ..."  -- Carlos Saura

"The greatest surrealism isn't French. Surrealism was born in France, but was only theory. Born in rationalism, it's a Cartesian surrealism, and that's a paradox, right? But the great surrealist artists, like Max Ernst in Germany and Bunuel in Spain, go to their cultural roots and from there extract the surrealist worldview. Bunuel is a modern surrealist, but he has behind him Goya, Valle Inclan, Cervantes, the picaresque, St. John of the Cross, and all that extraordinary Spanish culture that feeds him." -- Carlos Fuentes

"His Sadeian taste for the apocalypytic was tickled by the vision of an omnipotent power visiting death on mankind like a farmer spraying insecticide on locusts." -- "The Religious Affiliation of Director Luis Bunuel," by adherents.com

"Another thing before I die, the will. I'll die, and ten days later the lawyer will call my sons and Jeanne for the will. My immense fortune is in the will. The lawyer will call them, those named are Dona Juana Bunuel, Jose Luis, Rafael ... We can't start because Mr. Nelson Rockefeller said he'd be here at 12:00.  And so Nelson comes and the will is read: 'I leave my fortune [to Nelson] and leave my family penniless." So I die and my corpse is spat on by my friends, my wife, my kids ... An ugly way to scorn humanity, dying spat on by all my friends." Luis Bunuel

"I'd like to be able to rise from the dead every ten years, walk to a newsstand, and buy a few newspapers.  I wouldn't ask for anything more.  With my papers under my arm, pale, brushing against the walls, I'd return to the cemetery and read about the world's disasters before going back to sleep satisfied, in the calming refuge of the grave." -- Luis Bunuel

"What can be revealed from Jeanne's memoirs, entitled Memories of a Woman without a Piano, is that Buñuel was a secret tyrant whose public face of antibourgeois anarchism concealed a domestic life of bourgeois regulation and sadistic authoritarianism." -- lib.berkeley.edu

***

"His wife's memoirs Mujer sin piano (Woman without a Piano), written to fill out Buñuel's own, in which she and her children are mentioned hardly at all, reads like the remembrances of a Stockholm-syndrome afflicted captive. Jeanne Rucar, who met Buñuel in 1926 and married him in 1934, tries to tell a love story. but the pain and losses he inflicted on her, including that of her beloved piano, to a bet made by Luis without her consent, constantly shine through." -- "Luis Bunuel," by Dominique Russell

***

"As far as I know, the story between Jeanne and Bunuel was a fantastic love story from the very beginning. A long one. Maybe Jeanne says now [Woman Without a Piano], half seriously, half jokingly, that he was brutal, but she would never have said the same when he was alive." -- Jean-Claude Carriere

***

"Love is a secret ceremony to be celebrated underground." -- Luis Bunuel

"He is a deeply Christian man who hates God as only a Christian can and, of course, he's very Spanish. I see him as the most supremely religious director in the history of the movies." -- Orson Welles

A Proposito de Bunuel -- Screenplay

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